El viaje existencial y apocalíptico en Residencia en la tierra de Pablo Neruda

Abstract

This research analyzes the development of four methods of movement that assume the lyrical voice of Residence on Earth. First of all, it analyzes the apocalyptic aspect in relation to the existentialism of Jean-Paul Sartre (Being and Nothing and Existentialism is Humanism), and with the goals of explaining modern art that Mircea Eliade exposes in Aspects of the Myth. Hermetic poetry is converted into, in such a way, an expression of chaos, of the apocalypse from which the cosmos arises once again. The motives are: nihilist and Dadaist flâneur, the angel in relation with the voyage to the dream state, and the tie with romantic and surrealistic poetry; the horse as a symbol of earthly voyage, poetic discourse and desolation, and the vessel and its assimilation with the deep psyche. The existentialism voyage, linked with these four motives, brings together the affinnation of continuous existence between the cosmos and the being.