Volumen IX, 1982
Volumen IX, 1982

Artículos

17-22
Borges, "creator" of Cervantes; Cervantes precursor of Borges.
PDF (English)
23-29
La interioridad dramática de Federico García Lorca.
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31-37
Skepticism and the problem of criteria in the Quijote.
PDF (English)
39-46
The Cid of Guillén de Castro: the hero as moral exemplar.
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47-54
"Falsos paños": lineage and dress in Gil Vicente's Don Duardos.
PDF (English)
39-61
Dramaturgical distance in Valle-Inclán's "Esperpento de los cuernos de Don Friolera".
PDF (English)
63-70
Muerte y transfiguración del escritor: Borges y (en) sus lectores.
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71-79
Los narradores en La sombra: apuntes sobre el "pícaro arte" de Galdós joven.
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81-86
Argument in the "Celestina" and in its predecessors.
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87-103
The theme of justice in Fray Luis de León's "Glosses of the Psalms".
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105-113
Feijoo and Mr. Singer: Notes on the "aburguesamiento" of Fortunata.
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115-121
Halma: The novel's name is a game and also its frame.
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123-127
A tradition of error: English translations of Don Quijote.
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129-135
Story and discourse in Don Quijote.
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137-148
Two cases of kledonomancy in Lope's theater.
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143-150
More on the narrator of "Fortunata y Jacinta".
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151-156
The meaning of Theater in "La desheredada".
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157-174
Sobre el signo astrológico del Arcipreste de Hita.
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175-180
"Camino de perfección": Baroja y el misticismo.
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181-186
El señorito literario: antecedentes y dos casos.
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187-195
At the whirpool's rim: the voice of Pedro Garfias in the Generation of 1927.
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197-203
Some Jesuit contributions to the use of the term 'comedia' in Spanish dramaturgy.
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205-209
Is "La Celestina" the first modern novel?
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211-218
Bestiary imagery in "La Celestina".
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219-225
Fancy and fantasy in "Rosalia": signs of self and society.
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227-232
Church ritual as role-playing in Hernando de Talavera's "Treatise on the mass".
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233-240
On the romancero in Peribáñez: "La esposa fiel" and "La adúltera".
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241-248
Theatrical aspects of the novel: "Don Quixote", "Joseph Andrews", and the example of Cervantes.
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249-254
Bartolomé de Torres Naharro's "Diálogo del nacimiento": A converso Christmas play.
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255-262
Authority figures in "Siervo libre de amor" and "Grisel y Mirabella".
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263-270
"Las aventuras de Pickwick": notes on Benito Pérez Galdós as translator of Dickens.
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272-278
Juan del Encina's "Representation a la pasión": secular harmony through Christ's redemption.
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