Volumen IX, 1982

Published
Volumen IX, 1982
Volumen IX, 1982

Introduction

Francisco Márquez Villanueva
11-15
Homenaje a la obra crítica de Stephen Gilman.
PDF (Español (España))

Articles

Ion Agheana
17-22
Borges, "creator" of Cervantes; Cervantes precursor of Borges.
PDF
Antonio F. Cao
23-29
La interioridad dramática de Federico García Lorca.
PDF (Español (España))
Anthony J. Cascardi
31-37
Skepticism and the problem of criteria in the Quijote.
PDF
James Crapotta
39-46
The Cid of Guillén de Castro: the hero as moral exemplar.
PDF
Marie Cort Daniels
47-54
"Falsos paños": lineage and dress in Gil Vicente's Don Duardos.
PDF
Doug Dougherty
39-61
Dramaturgical distance in Valle-Inclán's "Esperpento de los cuernos de Don Friolera".
PDF
Arturo Echevarría Ferrari
63-70
Muerte y transfiguración del escritor: Borges y (en) sus lectores.
PDF (Español (España))
Ana H. Fernández Sein
71-79
Los narradores en La sombra: apuntes sobre el "pícaro arte" de Galdós joven.
PDF (Español (España))
Charles F. Fraker
81-86
Argument in the "Celestina" and in its predecessors.
PDF
David M. Gitlitz
87-103
The theme of justice in Fray Luis de León's "Glosses of the Psalms".
PDF
Peter B. Goldman
105-113
Feijoo and Mr. Singer: Notes on the "aburguesamiento" of Fortunata.
PDF
Leo J. Hoar, Jr.
115-121
Halma: The novel's name is a game and also its frame.
PDF
Robert M. Jackson
123-127
A tradition of error: English translations of Don Quijote.
PDF
Carroll B. Johnson
129-135
Story and discourse in Don Quijote.
PDF
Sonia Jones
137-148
Two cases of kledonomancy in Lope's theater.
PDF
Susan Kirkpatrick
143-150
More on the narrator of "Fortunata y Jacinta".
PDF
Martha G. Krow-Lucal
151-156
The meaning of Theater in "La desheredada".
PDF
Luce López-Baralt
157-174
Sobre el signo astrológico del Arcipreste de Hita.
PDF (Español (España))
Julio Matas
175-180
"Camino de perfección": Baroja y el misticismo.
PDF (Español (España))
Gloria M. Ortiz
181-186
El señorito literario: antecedentes y dos casos.
PDF (Español (España))
Margery Resnick
187-195
At the whirpool's rim: the voice of Pedro Garfias in the Generation of 1927.
PDF
Michael J. Ruggerio
197-203
Some Jesuit contributions to the use of the term 'comedia' in Spanish dramaturgy.
PDF (Español (España))
Dorothy Sherman Severin
205-209
Is "La Celestina" the first modern novel?
PDF
George A. Shipley
211-218
Bestiary imagery in "La Celestina".
PDF
Alan E. Smith
219-225
Fancy and fantasy in "Rosalia": signs of self and society.
PDF
Ronald E. Surtz
227-232
Church ritual as role-playing in Hernando de Talavera's "Treatise on the mass".
PDF
Marsha Swislocki
233-240
On the romancero in Peribáñez: "La esposa fiel" and "La adúltera".
PDF
Jill Syverson-Stork
241-248
Theatrical aspects of the novel: "Don Quixote", "Joseph Andrews", and the example of Cervantes.
PDF
Nora Weinerth
249-254
Bartolomé de Torres Naharro's "Diálogo del nacimiento": A converso Christmas play.
PDF
Barbara F. Weissberger
255-262
Authority figures in "Siervo libre de amor" and "Grisel y Mirabella".
PDF
Chad C. Wright
263-270
"Las aventuras de Pickwick": notes on Benito Pérez Galdós as translator of Dickens.
PDF
Yvonne Yarbo-Bejarano
272-278
Juan del Encina's "Representation a la pasión": secular harmony through Christ's redemption.
PDF

Bibliographies

Stephen Gilman: guía bibliográfica.