El silencio elocuente de El falso teclado de Blanca Varela: culminación de un proyecto lieterario.

Abstract

El falso teclado (2001), Blanca Varela's last collection of poems, is proposed as the consummation of a literary and vital project. In just thirteen short poems, the Peruvian poet synthesizes and recapitulates a whole poetic whose progress has always responded to the search for an authentic reality and a transcendent sense of the mortal condition of being. It confirms the austerity and nudity of language as a hallmark of a poetry that has reduced its artifices to the most eloquent of silences.