Abstract
The sequential art was developed initially by Wilhem Busch and Rudolf Topfer, european draftsmen, obtaining different perceptions of the city, in his urban and architectural form, as well as of the social composition of his citizens. In the Latin-American sequential art, and particularly in the Venezuelan cities, it reflects strongly and clarity every component of the urban Latin- American dynamics. Such it is Fonseca's case that with the "Ranchito" he presents day after day of those that live in the neighborhoods or urban spontaneous accessions; or "El magistrado" of Julio Lopez Hallaco (1936-2006), comical personage inspired by the Venezuelan dictator Gómez.
En la Revista Umbral los artículos son evaluados por el proceso de revisión de pares doble ciego (blind peer review) y publicados con la licencia Creative Commons Atribución 4.0. La Revista está comprometida con el acceso abierto al conocimiento, haciendo disponible sus artículos en texto completo de manera pública y libre.
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