Derecho a ser vistas: subversión a las sociedades de control en la obra ¡Hay motín compañeras! de Alberto Miralles

Abstract

This article focuses on the analysis of the play by the Spanish playwright Alberto Miralles, ¡Hay motín compañeras! This play problematizes the status of women in confinement and the social media business. It also problematizes the entrepreneurship model and the logic of marketing. The article establishes a relationship between the model of Control societies by Guilles Deleuze and the foucaultian carceral model to advance a thoughtful line that addresses the question of How can something could happen to produce a turn to the hopeless situation of prison life in a society characterized as control societies?