Abstract
The purpose of this essay is to examine the artistic development of Viveca Vázquez; specifically, to present the historical background of the event Rompeforma (1989-1996) or BReaking Forms -a marathon of new dance forms, performance, and visuals (pioneered within the contemporary experimental scene in Puerto Rico). Departing from her experience as co-director and co-producer of this event, the Viveca Vázquez analyzes the manner in which art, in effect, migrates through different "terrains" or "territories" to make political, interdisciplinary, and multicultural exchanges between the United States, the Caribbean, and the rest of Latin America.
En la Revista Umbral los artículos son evaluados por el proceso de revisión de pares doble ciego (blind peer review) y publicados con la licencia Creative Commons Atribución 4.0. La Revista está comprometida con el acceso abierto al conocimiento, haciendo disponible sus artículos en texto completo de manera pública y libre.
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