Abstract
This article explores the construction of the body in vanguard stories in two Andean writers: the Ecuadorian Pablo Palacio and the Peruvian Alberto Hidalgo. Through images of fragmented bodies or double bodies, roads crisscrossing offer of subjectivism and depersonalization. Furthermore, both represent from the figure of the monstrous body resistance to modern biotechnology.This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
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