Abstract
The analysis –or rather the opposing and contrasting- of Margot Glantz's and Laura Esquivel's literary approach to la Malinche as a factual character in Mexico's history, serve to unveil and describe significant salient facts seemingly beyond what both writers intended to expose and express. In other words, although both writers work from different literary perspectives- Glantz, firmly bound to the historic scholium and Esquivel freely recreating a life half-way between mythic magic and legend –these two writers coincide representing la Malinche as forerunner of all that which today's Mexican women should expect and be. Nevertheless, these two visions as contrasting ontological approaches, exhibit the obverse and reverse pertinent to a unique historical fact, never to be iterated but proposed as equal paramount example of dignity and rights of women.
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