Abstract
The retrospective exhibition Raquel Quijano Feliciano: ingeniera del papel is haunting, intriguing, meticulous, ingenious, and sensitive. It shows the result of twenty-five years of work in printmaking by this Puerto Rican plastic artist, who turns paper into a three-dimensional and sculptural material. In the exhibition, the artist invites us to enjoy while playing, to reflect on the country‘s traditions, and to analyze how growth and development has led us to live in a decrepit and forgotten city.
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